![]() ![]() The rapid beat of “rEaL WOrLD” slows as Verdes drops words like descending steps on an escalator: “I’m only taking really, really positive, constructive comments, he says. His speaker knows that he made the right choice but feels left behind nonetheless, an experience as “irrational” and persistent as feeling ghost limbs after amputation. In opener “rEaL WOrLD,” for example, Verdes examines his battling emotions about dropping out of college to pursue a musical career. Verdes’ lyrics explore many themes: weakness, affection and a strong desire to do better, as well as an inborn sense that he will, somehow, turn out “A-O-K.” Insecurity, however, dominates the word count. They expose the selfish and petty motives of each listener - and, as a result, create a cathartic sense of freedom. Though the album’s sounds lift serotonin levels with simple bodily pleasure, Verdes’ lyrics invoke a more complicated response. Later, when the choruses swing into motion, guitar, claps and piano implore listeners to get out of their seats and into the kind of dancing that raises the heart rate but doesn’t break a sweat. Listeners will find themselves bobbing and swaying before the first words of the album even reach their ears. “TV” is simply groovy, groovy to its bones. He captioned the post, “if this gets 1,000 likes I’ll put it out ” he ended up with more than 60,000 likes.The album also resembles the Rodrigo track because of its quick, bouncy rhythm. When he sat in his car, the same one where he practiced his scales, and teased “Stuck in the Middle,” his view count shot up past 300,000. He was already attempting to use TikTok as a promotional tool - promising to send money to influencers who made videos with the Tylersemicolon song “Skin Routine”- before he wrote “Stuck in the Middle.” But most of Verdes’ TikTok clips only amassed a few hundred or a few thousand views. ![]() ![]() Verdes wrote the top line in roughly an hour and a half, piecing together a collage of phrases pulled “verbatim from things girls have said to me.” The opening salvo - “She said, ‘you’re a player aren’t you? And I bet you got hoes” - “might as well be stamped on my fucking forehead,” Verdes continues. One of these YouTube rabbit holes led him to the lolling, bass-forward instrumental for “Stuck in the Middle,” which had less than 2,000 plays at the time. at the third level of deep, dark YouTube to find people that don’t have enough subscribers ,” Verdes this gets 1000 likes I’ll put this song out. He held down a job five days a week with Verizon and spent late nights scouring YouTube for beats. “Everyone should do that if your shit is not popping. If at first you don’t succeed, “change your name, maybe get a fucking haircut, try it again,” he says. Now that Verdes is on the rise, he’s using the story of his own breakthrough to urge on other aspiring artists. The song recently passed two million streams on Spotify, an accomplishment that Verdes celebrated with a TikTok video set at the Verizon store where he still works. The winner was “Stuck in the Middle,” a charmingly scruffy single about romantic limbo that established a residency in the upper reaches of the Spotify Viral 50 on July 4 and has been hovering there ever since. I just played a bunch of lottery tickets.” “If you’re an artist and you’re not on TikTok, you don’t want it bad enough,” Verdes continues. “Some people think they’re too good for the platform, don’t want to disgrace their art - ‘this is the song, only play it on Spotify,'” says Tai Verdes, a 24-year-old, 6’7″ singer-songwriter who once hoped to play in the NBA. TikTok has been downloaded over two billion times, but some artists still remain wary of the app, uncomfortable with its reputation as an engine for dance crazes. ![]()
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