The flagship PhotoLab 6 Elite – which you'll need if you want access to the new DeepPRIME, retouching and keystoning tools – is priced at $219 for new users or $99 if upgrading. The base PhotoLab 6 Essential is priced at $139 for new users or $75 if upgrading from PhotoLab 4 or 5. Excellent image quality with good performanceĭxO PhotoLab 6 is available immediately for both Windows and macOS systems, with a choice of two different versions.Very approachable interface, given the number of tools on offer.Automatically corrects lens defects for thousands of lens/body combinations.Accepts raw files from 500+ different camera models. Comprehensive image management and editing features. Updates include an uprated version of the DeepPRIME engine, a more powerful retouching tool, integration of keystoning features from DxO ViewPoint, a new internal color space called DxO Wide Gamut, tools for soft-proofing your creations prior to printing, and a raft of minor enhancements to image management, cropping and more. Now here comes PhotoLab 6, yet another major release from the French company to see us through the next year, and this one promises to be more capable than ever. It also took on the clever U-Point local editing tech that DxO first inherited when it bought Google's Nik Collection suite, and offered better image management tools to boot. In the intervening version 5, PhotoLab finally received support for Fujifilm X-Trans cameras, answering the pleas of the Fujifilm faithful. It's likewise been a couple of years since last we looked at PhotoLab 4, so before we introduce the new PhotoLab 6, perhaps a little catchup is in order. One of the strongest rivals to Adobe Lightroom, PhotoLab is available for both Windows and macOS, and has long been a favorite of ours thanks both to its automated lens/exposure corrections and its powerful – arguably, class-leading – DeepPRIME denoising engine. It's been five years now since DxO relaunched its long-running Optics Pro Raw editor under a brand-new name, DxO PhotoLab. You can also apply presets and export final versions from each thumbnail's right-click menu. These are the exact presets I use myself.DxO PhotoLab 6 shown in its PhotoLibrary mode, where you can view, browse, search, tag and label your creations. The main focus is on model photography and Ai skin retouching, but you’ll also find some general purpose presets and even some specially designed when using gels with bright colours. In this pack you find 70+ presets ranging from extreme to subtile film like emulations. It’s one of the most powerful tools you can get at the moment which is usable as both stand alone and as a plugin for Photoshop and Lightroom. Luminar is ground breaking in the use of Ai and a very workflow orientated preset setup. Luminar Ai Preset Pack renewed April 2022 these presets will give you a lot to choose from and new creative options to build your own presets from.Īs always, if you have any questions feel free to ask.Įnjoy the presets as they are, or (even better) create your own presets with these as a base. You will also find that in most presets there is no “noise” added, this I will add per shot depending on the camera I’m using and the look I want. There are some tips however I do have to share.Īlthough most of the times I will use the presets as they are in the preset packages I often also run them on a separate layer and slightly change the opacity of that layer. no this is the real deal, run them as they are. With these preset packs you get all the presets I use, no “light” versions, or versions that are “slightly” different from what I use…. I get a lot of questions about what presets I use, if I want to share them, how to create them etc.Īnd now it’s finally possible to create the same looks that I’m using in my retouching. All these plugins/programs have the option for custom presets, because let’s be honest, the standard presets often look nice but they do need some tweaking to make it “ personal“. Over the years I’ve tested many solutions and at the moment I’m mostly using, Alien Skin Exposure, DxO Fil. With digital we have the unique option to choose the film roll after the shoot. In the past we chose the film roll before the shoot and the film roll was chosen for the look we wanted. There are times when we are looking for that perfect look for a photo, “ that tinting that just finishes the job” so to say.
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